Tag Archives: censorship

Book review of Joshua Hendrick, Gülen: the ambiguous politics of market Islam in Turkey and the world, 2013.

This review was solicited by the Journal of American Studies of Turkey in 2014. It was accepted that year and slated for publication in January 2016. I received notice the week before publication that, due to what editors deemed the “contentious” nature of the topic, this particular review would not be published. I reproduce it below in its originally accepted form.

Gülen: the Ambiguous Politics of Market Islam in Turkey and the World.  Joshua D. Hendrick.  New York: New York UP., 2013.  H/bk 276 pp.  ISBN 978-0-8147-7098-6.  Price $49.00.

hendrick-gulen-coverHendrick offers a political ethnography of the Gülen Movement (GM), a controversial community inspired by the Turkish Islamic cleric Fethullah Gülen that includes interests in education, business, finance, and media both in Turkey and throughout the world.  Though the descriptor “faith-based” is often used to describe the GM, and many critics refer to the group in alarmist terms that reference Islamic revival, Hendrick’s account emphasizes the market-oriented decision-making that works at all levels of the group, suggesting that members are “best presented as products of, rather than as a fundamentalist reaction to, the processes of neoliberal globalization” (9).  His fieldwork, conducted primarily between 2005-2008, with supplementary work continuing through 2012, included attendance at numerous conferences, over 100 conversations with members, sympathizers, and critics of the movement, 55 formal interviews, and 1000 hours of participant observation at the GM’s Akademi in İstanbul, a publishing house, think-tank, and place for prayer and education that serves as the nerve center of the GM.

Hendrick approaches the intersection of Islam and politics in market terms, and his account is filled with the language of markets.  In his own words, “this book explains how neo-liberal economic restructuring in the 1980s provided new actors with greater access to wealth accumulation, and subsequently, with increased ability to affect the development of public opinion in a privatized marketplace, which facilitated a shift in Turkish Muslim politics from the politics of revolution to the politics of participation” (16).  The GM in particular has participated in such a politics in two ways: first by becoming the “leading private producer of ‘Turkish Islam’ for the twenty-first century religious marketplace” (24), and second by producing and distributing a wide range of goods and services in global capital markets.

Hendrick provides a brief account of the political economy of Muslim politics in Turkey, with the history of tension between secularists and Islamists as a background.  He notes that the religious marketplace became far more active in the wake of the 1980 coup and suggests that the ascendance of the Justice and Development Party (AKP) regime since 2002 has brought about a shift in which “contemporary political divides in Turkey are less defined by ‘secularism’ versus ‘Islamism’ than by ‘defensive nationalism’ versus ‘conservative globalism’” (53).  One of the key concepts Hendrick relies on to explain the GM’s success is strategic ambiguity, a reference to the lack of clarity about the goals and structure of the movement.  Such ambiguity is pervasive at all levels, characterizing issues ranging from Gülen’s US residency application to the ties that exist between various would-be Gülen affiliates.

In discussing these affiliates, Hendrick offers a hierarchical model for understanding the various levels of association: the cemaat, a core community of close associates; the arkadaşlar, a loosely-knit group of devoted friends; the yandaşlar, who come from a variety of backgrounds and sympathize with some of the group’s goals; and the consumers who purchase goods and services from the GM with or without knowledge of the group simply because they meet needs.  Though the spiritually devoted congregate towards the core community, Hendrick stresses that participants at all levels employ instrumental rationality in their choices to participate in the group, as a number of benefits are offered to those who choose to engage.  Among the most tangible of these benefits is educational support, as education is one of the biggest sectors in which the GM is involved both in Turkey and globally.  In Turkey, the GM started by offering housing, tutoring, and other forms of support to university students in the 1970s.  After the 1980 coup, major shifts in the educational system prioritized standardized testing and a new sector of privatized test-prep courses, dershane(ler), arose in response.  GM affiliated courses have been among the most successful and lucrative in this sector, and they also serve as recruitment centers for those who might wish to join the community.

Addressing the GM’s finances, Hendrick touches on two key practices among the community.  The first is himmet, the regular donation of funds to the movement by members, many of whom have in turn benefitted from such funds.  The second is the tendency for community members to start business ventures in any area where goods and services are needed by the group and then to practice preferential trading within networks of GM affiliation.  GM affiliated firms are present in sectors including publishing, educational supplies, architectural design, energy, banking, and media.  In reference to the latter, Hendrick provides a chapter-length discussion of the various Gülen-affiliated media bodies, foremost among which are the Feza Group, which owns Turkey’s highest circulating daily paper, a popular English-language daily, and two television channels among others, and the Journalists and Writers Foundation (GYV), which publishes books and journals related to Gülen and distributes tolerance awards.

Though Gülen interests are present worldwide, Hendrick focuses on those based in Turkey for most of the book before moving to a case study of the GM’s educational endeavors in the US.  Gülen-affiliated organizations took advantage of new laws that encouraged charter schools in the 2000s, founding schools that quickly gained a reputation for excellent educational standards.  Hendrick counts at least 136 such schools across 26 states by November of 2012.  Starting in 2009, controversies about the schools began to emerge due to allegations of sexism in hiring and promotion, the preferential hiring of Turkish teachers from abroad over US candidates, and questions related to the schools’ ties to Islamic teachings.  Though there was little evidence of the latter, school administrators were far from transparent when answering the questions of concerned parents and community members, leading to even greater mistrust in a pattern that Hendrick identifies as a backfire of strategic ambiguity.  Moving to a conclusion, Hendrick suggests that the market Islam exemplified by the GM aims not to overtake the state but, rather, to privatize religious revival and to sell goods and services to the broadest possible market.

This is a well-grounded account of certain aspects of the Gülen enterprise that is rich in ethnographic detail, providing useful insights in the market logics that clearly have much to do with how the group operates.  Theoretical engagement is not foremost among Hendrick’s tasks, but his occasional reference to Gramsci clarifies some of the social dynamics affecting the community.  The book came out just as the relationship between the Gülen community and the AKP began to deteriorate, and some of the commentary appears extremely dated as a result.  Hendrick was aware, for example, of the strong allegations that GM affiliates had systematically taken positions of power among the Turkish police and judiciary, and his choice not to address such allegations, which would have called the market-oriented thesis he offers into question, is problematic in retrospect.  This market-oriented understanding of the GM also elides some of the coercive patterns that are prevalent in familial and gender relations across much of Turkey, meaning that Hendrick’s emphasis on the rational choice of actors may be overstated.  Finally, his decision not to engage with one of the key questions regarding the GM — its approach to gender relations — is understandable for a male ethnographer with limited access, but readers should be warned that the book says almost nothing on this issue.  That said, this account has much to offer both in terms of descriptive depth and analytical insight, and Hendrick’s attempt at objectivity on an issue that is usually left to admirers or harsh critics of the movement is highly laudable.

Josh Carney

University of South Florida

 

5 Yorumsuz – 5 Without Comment – 2015-05-05

1 – Press freedom and censorship – The Committee to Protect Journalists (CPJ) has released a new report noting the strong moves against critical journalism in the country. Yavuz Baydar’s article on the CPJ website summarizes the situation, and his former newspaper, Today’s Zaman, also covers the story. Freedom House released its new report on global press freedom, ranking Turkey “not free” once again, with a worse score than last year, Hürriyet Daily News and Today’s Zaman report. On the heels of such reports, it is perhaps little surprise that even AK-Party officials find it hard to claim Turkey has a free press. Writer and professor Osman Özsoy, who lost his job at the pro-government paper Yeni Şafak after he criticized the government in the wake of corruption allegations, has been detained on suspicion of terrorism. The case of journalist Sedef Kabaş, in trouble for Tweeting about the same corruption scandal, has been sent to a higher criminal court in Istanbul. Pro-government paper Star and its writer Ergun Babahan have been fined for a piece written against media mogul Aydın Doğan in 2012. Prominent journalist Cüneyt Özdemir took to Twitter to note the heavy pressure his channel, Kanal D, is under from the government. As Today’s Zaman notes, he later edited some of his tweets to less directly implicate the government. Pop singer Sevval Sam has been questioned for her participation in a video commemorating Berkin Elvan. The Carmina Burana was removed from a performance schedule in Antalya at the last minute after Turkish pianist and composer Fazıl Say, who has been penalized and censored for his criticism of the government, pointed out that the piece touches on topics such as sex and alcohol. Journalists marched in Istanbul for press freedom on World Press Freedom Day (May 3rd) and also held a screening of the documentary Persona Non Grata, which deals with press restrictions in Turkey.

2 – Film and festivals – The banned film Bakur (North), dealing with Kurdish guerrillas in Turkey, was also screened for the first time on May 3rd, in an invite-based event that took place at Bosphorus University. The 10th annual Labor Film Festival opened on May 2nd in four cities, and its Istanbul gala was preceded by a march against censorship. The upcoming 18th annual Flying Broom International Women’s Film Festival will start in Ankara on May 8th.

3 – Erdoğan’s image – Turkey’s president has been a constant feature in the news this week, making headlines for insulting the newly elected President of the Turkish Republic of Norther Cyprus, Mustafa Akıncı, and making repeated claims and threats against the Gülen movement (here, here, and here), in the lead-up to Turkey’s June elections. Erdoğan has responded to criticism from HDP party co-chair Selahattin Demirtaş, who claimed that the president was abusing his office by campaigning on behalf of a particular party and doing so at taxpayers’ expense. (The president is bound by oath to be impartial.) Erdoğan claimed he has every right to hold such rallies because he won the presidential election with 52% of the vote. Meanwhile, a pro-HDP ad has responded to taunts from Erdoğan, who recently asked rhetorically of Demirtaş, “who are you?” (implying, who are you to question me?), by releasing an ad inviting Erdoğan and voters to get to know the party. The ad is here. On a related note, government channel TRT made headlines for switching from live coverage of AK-Party leader Ahmet Davutoğlu to that of Erdoğan the moment the latter began to speak in a different part of Turkey. As always, the list of those detained, on trial, or penalized for insulting Erdoğan continues to grow, with developments in cases against journalist Bülent Keneş, lawer Umut Kılıç, and columnist Mümtazer Türköne. An interesting addition to this list is the case of a Turkish Armed Forces commander, M.E.A., who, under order from an AK-Party appointed regional governor, Musa Işın, became involved in an altercation with the PKK in early April. Many had speculated that this was an AK-Party tactic to increase nationalistic votes but, if so, the intended nationalist fervor did not reach great heights, in part because no Turkish soldiers were killed (some sources say this is because PKK guerrillas intentionally shot only at soldiers’ feet), and in part because HDP members intervened quickly to transport wounded soldiers to safety, an effort that was verified by the armed forces. Now, according to Taraf and reported in English by Today’s Zaman, the head of the unit that led the attack, M.E.A., is under investigation for insulting Erdoğan via social media in 2012.

Screen Shot 2015-05-04 at 7.29.01 PMOn a somewhat lighter note, British cyclist Mark Cavendish became a social media phenomenon when he tried to leave the podium in the midst of a very long speech Erdoğan was giving after the Tour of Turkey. He was forced to return to the podium for the remainder of the speech. Finally, the story of severely botched restorations at a mosaic museum in Antakya was given a comic twist when Penguen cartoonist Selçuk Erdem tweeted an image of one of the restorations with the comment: “maybe the goal of restoration in the museum was to make it look like Erdoğan.”

4 – May Day –  Amidst reports that 351 workers in Turkey have already died in 2015, the government decided, once again, to ban demonstrations in Taksim on that day. A number of groups made plans to head there nonetheless, and pro-government paper Vahdet made headlines when it reported on a poster from one such group, the United June Movement (BHH). The poster features an image of the Beatles, but Vahdet claimed it was “Gezi activists.” When this mistake was brought to the attention of editors, they claimed to be proud not to know who the Beatles were. Both Hürriyet Daily News and Today’s Zaman report on various clashes between police and protestors that took place, with a total of 339 people reportedly being detained. Numerous outlets reported on a group of shopkeepers who apparently beat activists attempting to get to Taksim and then later bragged that the police had thanked them for the help.

5 – TV developments – Turkish TV and radio regulator RTÜK granted permission for the Ismailağa sect to open a channel. Popular cleric Cubbeli Ahmet is among the most famous members of the sect in Turkey and will likely appear on the channel. Turkish TV drama Kurt Seyit and Şura, which received massive investment in Turkey but was nonetheless cancelled due to poor ratings, has started airing in Spanish on Mundo Fox TV in the US. And Oktay Alkaya writes for Radikal about the 1990s TV program Plastic Show, noting that Turkey’s situation has really changed in terms of what’s admissible on TV in the form of political satire.

5 Yorumsuz – 5 Without Comment – 2015-04-27

1 – Clampdown on expression – Meral Tutcali, a second year university student, has received a suspended sentence for retweeting a satirical article about the governor of the province of Adana from Zaytung, Turkey’s equivalent of the Onion. Both Hürriyet Daily News and Today’s Zaman report that members of the press were prevented from attending a meeting with Turkey’s first lady Emine Erdoğan, apparently at the behest of her security team. Lawyer Umut Kiliç was arrested after a job interview for a judge position on the grounds that he insulted Erdoğan by calling the president a fascist, leading other lawyers to object. The European Parliament criticized Turkey for its crackdown on independent media at a seminar on Wednesday. One of the invitees for this seminar, Zaman newspaper editor Ekrem Dumanli, had to participate via video stream because he is currently under investigation on charges of terrorism. Gültekin Avci, a former prosecutor, is facing a life sentence for retweeting audio that implicates President Erdoğan and his son Bilal in corruption, as reported by Hürriyet Daily News and Today’s Zaman. A number of artists have been sued for releasing a video commemorating the death of teen Berkin Elvan, who was shot by police during the Gezi Park protests and died months later. Today’s Zaman reports on the effects of new “penal courts of peace” that were established by the AK-Party and appear to be used to censor critical media. The same paper reports on the fate of professor Sedat Laçiner, an AK-Party critic who has been asked to stop writing for news site internethaber.com and who was removed from his position as rector of Çanakkale 18 Mart University by President Erdoğan.

2 – Election roundup – President Erdoğan has released a video commemorating the 100th anniversary of the Battle of Gallipoli (referred to as Çanakkale in Turkey), which many are taking as an AK-Party election ad. An ad by the president for such a purpose would be illegal both on the grounds that the president is supposed to be impartial and that use of the flag and religion for political purposes are banned, but there is a clear history of both Erdogan and the AK-Party ignoring both of these grounds (Touched on here and, more recently, here). Both Hürriyet Daily News and Today’s Zaman cover the ad.

Government broadcaster TRT provided 1:20 and 1:17 of coverage for the manifestos of the AK-Party and main opposition CHP, respectively, while giving only 15 minutes to the HDP, a party on the border of passing the 10% threshold to enter parliament. The AK-Party-appointed governor of Erzincan province, Süleyman Kahraman, denied the HDP a permit for an election rally on April 25th, with the excuse that the AKP had the same public square reserved for the 26th. Abit Nasiroğlu, son of a former AK-Party deputy, has been killed in an attack on AK-Party headquarters in Batman by unidentified attackers, while HDP offices in Yalova have also been attacked with gunfire, though nobody was injured.

3 – Turkey, Armenia, and the world –  Both President Erdoğan and the Turkish Foreign Ministry have reacted strongly to proclamations from other nations that the massacres and mass deportation of Armenians 100 years ago, which are commemorated on 24 April, constitute a genocide. The withdrawal of Turkish ambassadors from the Vatican and Austria in the wake of genocide claims brings to seven the number of countries from which ambassadors have been removed in recent years. On the local front, a nationalist group left threatening wreaths in front of Armenian newspaper Agos, where journalist Hrant Dink was editor and where he was murdered in 2007. Hürriyet Daily News reports that students marching to commemorate genocide at Istanbul Technical University were attacked by police and that academics from Bilgi University released a statement against that university’s choice to cancel a conference bearing the word “genocide” in its title.

4 – Film festivals – In the wake of Istanbul Film Festival’s pulling of Bakur (North), a documentary about PKK guerrillas from its lineup under pressure from the Ministry of Culture and Tourism (MOCT), the Ankara Film Festival, which also pulled Bakur and a number of other films, has started with a much-reduced lineup of films and competitions. Meanwhile, while the MOCT has yet to comment on charges of censorship, it has opened the 7th iteration of its own Turkish Film Festival in Sarajevo, with a host of nationalist and popular films, as well as Bir Zamanlar Anadolu’da (Once upon a time in Anatolia) by Turkish auteur Nuri Bilgi Ceylan. The IŞÇI (Workers) Film Festival, taking place in Istanbul, Ankara, Diyarbakir, and Izmir starting on 1 May, has released its program for the year.

5 – TV and cinema – Süleyha Kurtuluş, the final manager of Istanbul’s historical Emek Cinema, has for the first time released a statement on the events that led to the cinema’s demolition despite massive protests, saying that, contrary to accusations by Levent Eyüboğlu, a partner in the project that’s been built in Emek’s place, she never asked for that firm’s help or handed over the keys to the building. Serdar Akar’s Kara Kutu (Black Box) series, which was airing on Kanal D, has been cancelled due to poor ratings. It is a Pana Film production and it recently received a 700,000TL fine from RTÜK for “advertising beer” as part of everyday life. FOX has revealed that its 7-years-running series Unutma Beni (Forget Me) will end this year after more than 1,450 episodes.

5 Yorumsuz – 5 Without Comment – 2015-04-21

Protestors pass a police TOMA on Istiklal Caddesi on 18 April as part of a march against the censorship of Bakur (North)
Protestors pass a police TOMA on Istiklal Caddesi on 18 April as part of a march against the censorship of Bakur (North)

1 – Ban on Bakur – Following last week’s ban of Bakur from the Istanbul Film Festival under direct threat from Turkey’s Ministry of Culture and Tourism (MOCT), cinema industry groups, other festivals, and viewers have banded together in a series of events to show solidarity with the film and to demand changes in the cinema law. The most comprehensive coverage of this multi-faceted story in English is as follows: Constanze Letsch provides a good summary of the situation overall while Yeşim Burul discusses the “certificate issue” used by the MOCT to justify its ban. Today’s Zaman covers the industry press conference in response to the ban, including a list of demands, and also notes IFF’s response to the MOCT’s attempts to place blame on the festival. Alisa Lebow offers useful context on the anti-Kurdish politics that clearly figured in the ban, while Hürriyet Daily News notes some aspects of the spread of this crisis to the Ankara International Film Festival. Beyond these it is worth noting that hundreds gathered for an anti-censorship march on Istiklal Caddesi on Saturday and then for a screening and forum on censorship in Abbasağa Park that night. The next steps may include a protest or march on the Ministry in Ankara this week or next, as part of the Ankara festival. (UPDATE: There’s also my recent piece on the issue for Variety.)

2 – Panic about Armenian past – In the lead-up to the 24 April 100th anniversary commemoration of the mass deportation and execution of Armenians by Ottomans, Turkish politicians and public personas have been in great panic about whether such events should be called “genocide.” Responding to Pope Francis’ use of the word “genocide” President Erdoğan urged the Pope not to repeat this “mistake,” PM Davutoğlu claimed the pontiff had joined a conspiracy against Turkey, and Ankara mufti Professor Mefail Hizli said that such speeches could lead to Hagia Sophia, currently a museum, being re-opened for Muslim worship. Meanwhile, the US called for a “frank” discussion of the facts surrounding the issue, while the European Parliament called the events a genocide. The latter led to Turkey’s three biggest political parties (AKP, CHP, MHP), which can agree about little else, issuing a joint statement of condemnation, and to PM Davutoğlu asking rhetorically why the US and Australia don’t recognize their own genocides of indigenous people. In the midst of this crisis Davutoğlu’s advisor, Etyen Mahçupyan, himself Armenian, said the events were a genocide, an event which coincided with his official retirement from his advisory role. Bosphorus University, in the mean time, has agreed to host a conference titled “Armenian Genocide: Concepts and Comparative Perspectives,” that was originally scheduled to be held at Bilgi University, but temporarily cancelled when the latter withdrew.

3 – Social research – Numerous outlets reported on the results of a recent social research project called “Politics in Turkey, freedom of Press and Internet.” Today’s Zaman highlighted aspects of the report dealing with censorship and the economy, while Hürriyet Daily News interviewed one of the reports’ authors, political science professor Ali Çarkoğlu.

4 – Trials and censorship round-up – President Erdoğan’s son, Bilal, lost a case against Cumhuriyet newspaper journalist Canan Coşkun for alleged insults, but won a case, alongside his farther, against BirGün newspaper journalist Bariş Ince on similar charges. Numerous columnists at Cumhuriyet are currently facing charges of insulting Erdoğan as well, while BirGün journalsit Zeynep Kuray was temporarily detained for alleged slander. Two reporters who have recently been critical of the AK-Party, Ali Aslan Kiliç and Uğur Telil, have been banned from parliament, though Parliament speaker Cemil Çiçek encouraged them to address the ban through legal means, noting he doesn’t want to be known as the speaker who banned the press. The main opposition CHP has filed a complaint against state TV channel TRT over censorship of a political ad, and pro-government media has continued a campaign of what its targets call hate speech, as reported by Today’s Zaman, which is part of the targeted Gülen community media. Finally, Turkey’s constitutional court has upheld a law requiring prison for those found to store what it terms “unnatural” pornography, a category that includes oral, anal, group, gay, or lesbian imagery.

5 – Erdoğan visits drama production – In a gesture marked by multiple symbolic overtones, President Erdoğan visited the set of the Ottoman TV series Filinta and sat in the director’s chair. While there, he and his wife Emine chatted with one of the show’s stars, German actress Wilma Elles. Emine reminded Elles that Erdoğan wants all women in Turkey to have three children, while Erdoğan himself encouraged the actress to become a Turkish citizen.

5 Yorumsuz – 5 Without Comment – 2015-04-13

1 – Mixed messages on the Kurdish situation pre-election – The AK-Party’s shifting stance on the Kurdish situation became even more confusing this weekend after a clash between the Turkish Armed Forces (TSK) and the Kurdish Worker’s Party (PKK) in the eastern province of Ağrı. Details on the reasons for the clash are unclear, as both sides have blamed the other, and the number of casualties involved is also in dispute, but at least two people (at least one of them a PKK soldier) have died and a number of Turkish soldiers were injured. President Erdoğan and PM Davutoğlu blamed the PKK and attempted to implicate the pro-Kurdish People’s Democratic Party (HDP) after the incident, but HDP co-chair Selahattin Demirtaş said the operation was staged, and pointed out that it was HDP members who went to rescue the injured soldiers, sharing links to photo and video on social media to back this claim up. The TSK released a statement thanking the civilians who helped the soldiers today, to some degree supporting Demirtaş’s claim.

This situation puts a fragile peace process in question. For the past three years, the AK-Party had been making moves towards peace, negotiating with the PKK’s jailed leader Abdullah Ocalan and conceding to some aspects on language rights and regional autonomy desired by many Kurds in Turkey’s southeast region, often called Kurdistan. More recently, however, President Erdoğan, who is nominally unaffiliated with a party but still overtly acts as the head of the AK-Party, reversed his stance on the so-called “Kurdish opening” simultaneous with the celebration of Newroz, the spring holiday most closely identified with Kurds. This was interpreted by many as Erdoğan’s move to coax nationalist voters, known for their anti-Kurdish stance, in the run-up to the 2015 parliamentary elections. Numerous polls show the AK-Party losing ground and the HDP moving towards the 10% threshold necessary to enter parliament as a party, and this likely has Erdoğan very worried. Up until now, HDP members have been running as independent candidates since they were not likely to pass the 10% threshold, but this situation greatly decreases their representation in parliament while simultaneously increasing that of the AK-Party. So the political calculation in Turkey currently hinges on the fate of the HDP, and the AK-Party has every incentive to prevent their passing the threshold.

Given these circumstances, the timing of the Ağrı conflict is interesting, because it is likely to damage the HDP’s political image and improve that of the AK-Party. The TSK’s statement, however, might change this calculus.

Potentially linked to these events is the Istanbul Film Festival’s choice, under direct pressure from the Ministry of Culture and Tourism’s Cinema Directorate, to cancel the screening of a documentary filmed in the PKK camps. Bakur (North) was scheduled to be shown on 12 April but, hours before the screening, the IFF announced its cancellation. Numerous Turkish filmmakers involved in the festival held an impromptu meeting after this and decided to withdraw their films from the festival, calling into question whether key competitions will continue. Specifically, 7 out of 9 films in the national feature and 9 our of 13 films in the national documentary competitions signed a statement withdrawing their films.

2 – Media wars – Pre-election tensions are also playing out in mainstream media as pro-government media sources have made a number of moves to attack non-aligned media. Perhaps most notably, state run (and theoretically impartial) broadcaster TRT has refused to run commercials for the opposition Republican People’s Party (CHP), giving as rationale the fact that the commercials criticize the ruling government. At the same time, pro-AK-Party media outlets Yeni Şafak and ATV have both published claims against the Doğan Media Group, charging it with support of terrorism in line with similar statements by Erdoğan. Doğan has filed slander charges against Yeni Şafak in response. Yeni Şafak also filed a story claiming that Turkey’s second President, Ismet İnönü, was responsible for having Mustafal Kemal Atatürk killed with poison. These claims and their alleged documentation have been the source of ridicule in other media, and columnist Mustafa Akyol commented on why such claims would come out now.

3 – Social media bans and reactions – Reactions to last week’s government ban of YouTube, Twitter, and Facebook have begun to mount. Early in the week there was a threat to block Google as well, but this has not yet been executed, and the social media sites are now back online. These bans have not gone unanswered, as Today’s Zaman reports:

Two Turkish academics on Tuesday appealed a court order that allowed authorities to block access to Twitter and YouTube for several hours this week, a crackdown they say reflects Ankara’s growing authoritarianism.

Meanwhile, Hürriyet Daily News reports on international critique of the ban:

Bans on social media networks are “not appropriate” according to basic democratic standards, said European Parliament President Martin Schulz, who held meetings with a number of senior officials in Turkey, adding that he expected “meaningful answers” from Ankara on the issue.

Despite such reactions, threats against social media may actually be on the rise, as Today’s Zaman reports:

President Recep Tayyip Erdoğan, who has a tendency to put everything he sees as a threat against his authority in the country’s “National Security Strategy Concept Paper” (MGSB) — often referred to as the “Red Book” — may soon be adding social media platforms, according to a story in the Cumhuriyet daily on Thursday.

4 – Censorship, trials, and lawsuits – The weekly round-up of lawsuits and trials for those deemed to have insulted the AK-Party continues, as Hürriyet Daily News reports,

A local court in Ankara has ordered main opposition Republican People’s Party (CHP) head Kemal Kılıçdaroğlu to pay 10,000 Turkish Liras in compensation to President Recep Tayyip Erdoğan for “insulting” him.

Erdoğan was not alone in his actions this week, as Today’s Zaman reports,

Prime Minister Ahmet Davutoğlu has filed a new legal complaint against Today’s Zaman Editor-in-Chief Bülent Keneş over a blog post, saying the piece, an English version of which was published as a Today’s Zaman column, insulted him.

Some of the charges are more serious than insults against individuals, as Today’s Zaman reports,

Turkish prosecutors seek up to four and a half years in prison for two columnists, Ceyda Karan and Hikmet Çetinkaya, who write for the Turkish Cumhuriyet daily, over featuring a front cover of Charlie Hebdo magazine which depicted Prophet Muhammad in their pieces.

5 – AK-Party’s Neo-Ottoman overtures – Finally, the AK-Party continues to employ Ottoman pageantry in political appearances. As Hürriyet Daily News notes, this week’s ceremonies involved both PM Davutoğlu,

Continuing the new trend of cosplay started at Turkey’s new presidential palace where President Recep Tayyip Erdoğan resides, Prime Minister Ahmet Davutoğlu and Deputy Prime Minister Yalçın Akdoğan were welcomed by policemen dressed in Ottoman-era costumes on April 10 in Ankara.

and President Erdoğan,

President Recep Tayyip Erdoğan was welcomed during a ceremony on April 10 with the “New Turkey Anthem” performed by an Ottoman military band, which praised him as “Our Leader.”

Though quite visible, such overtures are not necessarily a way to success with the public, as the same paper noted in covering the fate of a number of “candidates for candidacy” who had vied for position on the AK-Party candidate list, which was decided this week:

Several candidates had launched Ottoman-themed campaigns to be nominated for the AKP. However, none of the “Ottomans” were able to break the glass ceiling of modern politics when the ruling party announced its candidates for the June 7 general elections on April 7.

5 Yorumsuz – 5 Without Comment – 2015-04-06

1 – 31 March and aftermath – Two members of the far-left group DHKP/C (Revolutionary People’s Liberation Party-Front) took prosecutor Mehmet Kıraz hostage, issuing a series of demands related to the Berkin Elvan case that Kıraz was investigating. (Elvan was the 14-year-old boy who was shot in the face with a gas canister by an as yet unidentified police officer during the Gezi Park protests and who died in a coma 9 months later.) After 6 hours of negotiations, a confrontation took place and both DHKP/C members and Kıraz were killed. During and after the crisis the Turkish government issued a media blackout regarding reporting on it. Though both pro-government and non-government-aligned outlets (the later coming from a variety of ideological perspectives but distinguished by the fact that they sometimes criticize the government) had carried images of the hostage crisis, the following day many of the non-aligned media were banned from attending Kıraz’s funeral and subsequently had charges filed against them for “propagandizing on behalf of a terrorist organization.” Some of these media organizations, including the Doğan Group, the country’s largest, have objected to the ban and charges, though Doğan also took the unusual step of engaging in self-criticism, an action that has been critiqued by some. This ban on images of the crisis even extended to some degree to foreigners, as an Egyptian-British blogger had a tweet regarding the incident blocked based on the ruling of a Turkish court. In the days to follow it came out that the hostage takers did have family ties to the DHKP/C and that Kıraz had been actively investigating the Elvan case, perhaps even moving towards finding the police officer(s) involved.

On the same day, the entire country suffered a massive blackout that has yet to be fully explained, though some hypotheses have been put forth. Twitter user Fuat Avni has received attention for tweets suggesting that the blackout was a trial run for a series of similar blackouts that will take place during the 7 June election, as well as tweets from January, noting that Turkey’s intelligence agency (MIT) had infiltrated DHKP/C and planned to reactive the group.

On 1 April, two assailants attacked a police station in Istanbul and one was killed while, elsewhere in the city, an armed man broke into the AK-Party headquarters and hung a modified Turkish flag. Both President Erdoğan and Prime Minister Davutoğlu have attempted to turn the series of incidents to political advantage, Erdoğan noting that Turkey needs to build 3 rather than 2 nuclear power plants and saying that the police, who have recently been granted unprecedented powers, should take over for private security firms, and Davutoğlu promising that no unauthorized street protests would be permitted and also suggesting that the DHKP/C attack could be linked to foreign powers.

And, on April 6th, Turkey blocked access country-wide to Twitter, Facebook, and YouTube to prevent the hostage photos, as reported by Hürriyet Daily News:

Turkish authorities have blocked access to Twitter, YouTube and Facebook over the publication of photos published on the three social media platforms showing a prosecutor who was taken hostage by militants in Istanbul last week. Tayfun Acarer, the head of the Information and Communications Technologies Authority (BTK), told daily Hürriyet that the ban on Facebook had been lifted after it rapidly complied with the court ruling.

Penguen kapak - 2015-04-022 – Erdoğan insults roundup – Turkey has charted new territory in the crackdown on social media by giving a journalist a suspended prison sentence for “liking” an anti-Erdoğan post on Facebook.

Radikal reports that a trial has been opened against ÖDP Tokat Regional Authority Önder Konuk, who was taken into custody because he called Erdoğan “lan” (something close to “dude”) in an angry tweet after the death of Özgecan Aslan. His tweet, which was only visible to friends, translates to, “Why don’t you declare a time of mourning dude!” He explained the tweet by saying he was angry to see Turkey declare a day of mourning for the death of the Saudi King, but not for Aslan. He may face up to 7 years in prison. Konuk is just one among many who have been charged for angry Tweets regarding Erdoğan’s actions in the wake of Aslan’s death.

The latest cover of the satirical cartoon magazine Penguen references the recent prison sentence against two of its cartoonists for insulting Erdoğan, and notes “we will continue to draw.”

Finally, as Today’s Zaman reports:

A 17-year-old high school student in the province of Konya is set to appear before a court in June and will face between one and four years of prison after he was charged with insulting President Recep Tayyip Erdoğan ; the boy is reportedly a friend of a 16- year-old who was recently arrested on the same charge.

3 – Hürriyet Daily News and Today’s Zaman both issued reports on a “Twitter battle” that took place between AK-Party supporters and Gülen supporters in recent days. According to Hürriyet Daily News:

Thousands of social media users who either supported or opposed the ruling Justice and Development Party (AKP) engaged in a “spamming” war, which started April 3 and continued for at least two days, leading Twitter to suspend the accounts of many users who had hundreds of thousands of followers.

4 – The Kabataş Gezi Park story may get less press in the future, as Hürriyet Daily News notes:

A Turkish court banned accesss to stories ran by eight websites on Zehra Develioğlu , a headscarved woman who claimed in June 2013 that she and her baby were the victims of an assault by a group of people in the Kabataş district of Istanbul during the Gezi Park protests, upon a request by the woman.

In related news, the journalist who “broke” the original story, Elif Çakır, had her Twitter account hacked, with the hacker admitting to wrongdoing on her behalf.

5 – On a lighter note, as Hürriyet Daily News reports,

Hollywood star Julianne Moore may have won the 2015 Best Actress Oscar, but Turkish officials have rejected a bid to make her Turkey’s tourism face by citing her “poor acting.” The Culture and Tourism Ministry disapproved of the acclaimed actress’ performance in a film promoting tourism in Turkey and demanded a reshoot. However, Moore declined the ministry’s offer, ultimately leading to the cancellation of the project, daily Hürriyet has learned.

The story also received satirical commentary in The Onion.

5 Yorumsuz – 5 Without Comment – 2015-03-30

1 – The International Press Institute (IPI) issued a special report on Turkey regarding freedom of expression and democracy, noting that,

Turkey has seen increased pressure on media in recent years, part of a drift toward authoritarianism that has led to a pervasive climate of self-censorship and one of the most troubling press freedom pictures in Europe.

2 – A nationalist retelling of the Gallipoli battle, Son Mektup (Final Letter), released in honor of the 100th anniversary of the battle, has garnered some controversy as Kemalist groups question why Mustafal Kemal Atatürk, a national hero and by many accounts a key figure of the Gallipoli defense, was left out of the film. ODA TV, an independent and often anti-AK-Party news site, asks where the money for such a project came from and notes that the steel, energy, and shipping industry firm İÇDAŞ was a major sponsor. Radikal, meanwhile, notes that the Ministry of National Education has paved the way for the film to be shown to millions of school children across the country. Emine Yıldırım from Today’s Zaman provides a cinematic critique of the film in English.

3 – The Kabataş fiasco described in previous entries (here, here, and here) has taken a new turn, as Hürriyet columnist İsmet Berkan, who claimed via Twitter to have seen footage of the attack, thereby lending weight to a story which has since been widely discredited, issued an apology to his readers at the prompting of Hürriyet’s reader representative, Faruk Bildirici. The story was covered widely, including in Hürriyet, and Today’s Zaman (English). In response, AKP Adiyaman MP Mehmet Metiner says that he trusted Gülenist police directors who told him that they had evidence of the Kabataş harassment and that’s why he had announced that the AKP had such evidence. He says that he doesn’t understand why İsmet Berkan felt compelled to lie about such things during Gezi nor why he feels compelled to confess it now.

4 – Crackdowns on perceived insults and critiques of the government continue to increase in the lead-up to the June parliamentary elections. Today’s Zaman provides a general summary, noting, that

President Recep Tayyip Erdoğan has filed complaints on charges of “ insult ing” him against a total of 236 people in the 227 days since he was elected president in the election held on Aug. 10, 2014.

In another article, the same paper notes that,

The Ankara Chief Public Prosecutor’s Office is seeking a prison sentence of two years for Gonca Vuslateri , an actress who works in theater and television, on charges of insulting President Recep Tayyip Erdoğan , who has so far filed more than 220 complaints against people for allegedly insulting him since he was elected president in August of last year.

One of the cases gathering the most attention is that of cartoonists Aydoğan and Baruter. As Hürriyet Daily News notes,

Two cartoonists for the popular satirical weekly Penguen have been jailed to 11 months in prison, over a satirical piece on free speech in which they were convicted of including a hidden gesture “insulting” Turkish President Recep Tayyip Erdoğan. Cartoonists Bahadır Baruter and Özer Aydoğan were sued for the Aug. 21, 2014, cover of the magazine, which satirized Erdoğan’s election as Turkey’s president. In the drawing, Erdoğan is seen asking whether officials at the new presidential palace in Ankara have prepared “any journalists to slaughter,” referring to ritual sacrifice in Islam, to mark his inauguration.

According to Radikal, Penguen has released a statement regarding the 11 month prison sentence, noting that they are saddened that a trial can even take place against a cartoonist and that this is bad for the whole country, especially given the fact that there is no insult on the cover in question. They state that they will continue to draw cartoons and that they hope this trial is the final example of attempt to intimidate free expression.

Other charges filed include the case of students in Trabzon, as covered by Today’s Zaman:

Thirty-seven students and teachers have recently appeared in court on charges of insulting President Recep Tayyip Erdoğan , while criminal complaints have been filed against 11 others accused of breaking Law No. 2911 on Public Assemblies and Demonstrations while attending a protest in Trabzon. Education Personnel Union (Eğitim-Sen) Trabzon branch head Muhammet Ikinci was among those who have been summoned to testify before a court on charges of breaking the law, which regulates the actions allowed in demonstrations and protests. Reacting to the decision, Ikinci said, “This intolerance to people in a country where the government is responsible for guaranteeing fundamental freedoms and rights, including the expression of all ideas, gives us a clue about the want sort of regime the government is becoming.”

Erdoğan is not the only one being “protected” from such insults. Today’s Zaman details stories of journalist Ergun Babahan being indicted for alleged insults to Erdoğan’s son, Bilal, and Prime Minister Davutoğlu suing the paper’s own journalists, Bülent Keneş and Celil Sağır, over allegedly insulting Tweets. The PM apparently also managed to block access to the tweets. Even the state run news service, Anadolu Agency, is apparently now to be shielded from critique, as Hürriyet Daily News reports:

An investigation has been launched into a total of 58 well-known figures in Turkey on the grounds that they criticized the state-run Anadolu Agency on Twitter, daily Cumhuriyet has reported. Top journalists, including daily Cumhuriyet Editor-in-Chief Can Dündar, Hürriyet columnist Melis Alphan and Taraf columnist Emre Uslu are among the suspects, while the former general manager of the agency, Kemal Öztürk, and Vice-General Director Ebubekir Şahin are the complainants. The suspects have been accused of “provoking the people to hate and enmity, as well as defamation, slander and intimidation” for their posts on social media.

5 – In related news, Hürriyet Daily News reports on a new law that could affect social media users:

Social media users who share content that has been subject to a legal complaint in Turkey will be punished, according an omnibus bill currently being debated in parliament, daily Radikal has reported. The Telecommunications Directorate (TIB) will be able to decide for the removal or blocking of Internet content based on an article about the “protection of national security and public order” in the omnibus bill, and users who share such content will also be punished. On March 20, parliament approved a key article of the contentious omnibus bill that gives power to the prime minister and other ministers to shut down websites within four hours. The approval came just six months after a similar bill was overturned by the Constitutional Court.

Concerts of the Cinematic World – an interview with Azize Tan

The Istanbul Foundation for Culture and Arts (İKSV) Istanbul Film Festival (IFF), Turkey’s biggest both in terms of number of films shown and number of viewers reached, is back for its 34th round from the 4th to the 19th of April, featuring some 204 films by 222 directors from 62 countries. With over 20 categories ranging from horror to children’s films to cinema of the Balkans, as well as numerous competitions and awards, including best domestic feature and documentary, international feature, and best film on the theme of human rights, the festival has something for everyone and, according to director Azize Tan, that’s precisely the goal. I had a chance to speak with her last fall, during the lead up to IFF’s sister festival, Film Ekimi (Film October – FE), in a discussion ranging from the history of the festivals and their evolving role to the challenges facing the film industry in Turkey.

IFFLOGOJC – Can you tell me a bit about the history of the two festivals, how they came about, and what distinct roles they have?

AT – Well, IKSV (Istanbul Foundation for Culture and Arts) was founded in 1973 by businessmen before there was even a Ministry of Culture. They were organizing a big festival in the summer, quite similar to the one in Edinburgh now, featuring mostly classical music concerts, as well as some theater and dance. In 1982, after the military coup, they decided to screen films at that festival too. It started with just six films, but there was a great interest because cinema was practically dead in Turkey at that time. The cinematheques had been shut down with the coup in 1980 and almost no films were being produced or released, so that was the only place where people could go and see what was happening in world film.

The demand was so great that they decided to make it a separate festival. They pushed it to March, and they gave it the name FilmDays. It was like that for almost 10 years, and then it shifted to become International Istanbul Film Festival, as they added an international and national competition. On the 30th anniversary, we decided to drop the title International, since everybody knew the festival was international, so now it’s only IFF.

If IFF is a festival for the film world, FE is a festival just for the audience.

FilmEkimi started 13 years ago and, just as IFF marks the coming of spring, FE announces arrival of autumn. In fact, this year we did our press conference on the 23rd of September, which is the first day of autumn, and there was a storm and the weather changed in a single day. FE is similar to the gala screenings of the big films at IFF. It’s kind of a “best of” fest, and it’s the right season to do an event like that because summer is quite slow for film in Turkey. October is the time when people start to go back to cinema.

If IFF is a festival for the film world, FE is a festival just for the audience. We don’t have any guests, competitions, or industry events. Take a look at the program and if you’re interested in independent or auteur cinema, you’ll find that you can catch up with most of the films that you want to see within the season. FE is organized to get films to viewers while they’re still fresh. If we start the cinema season with Sundance in January and Berlin in February, we get many of those films in IFF. But with films that come to Cannes (May), Venice (September), and Toronto (September), it would be a long time to wait for April to see those films, and many will have been distributed digitally or on pay TV by that point.

FE also allows us to follow the films and the directors we’re interested in. So if there’s a director that we’re following throughout his career at IFF, and there’s a new film that can’t wait for April, we include it in FE. That’s how it works. For us it’s a kind of relief, because we don’t lose those films, and it seems to be working very well. In fact, we started our sales on Saturday the 27th after two days advance sales for our loyal members, and by the end of the second day, which is the fourth day in total of sales, we had sold 75% of the tickets. We even had to open 15 additional screenings and extend the festival by a day on either side. We expect an audience of 50,000 people in Istanbul alone.

JC – Do you show any Turkish films at FE?

AT – Not in the Istanbul program. We do a big showcase of Turkish cinema at IFF, including a number of competitions, and even if a Turkish film has already been released we prefer to leave it until April in order to showcase it for our foreign guests. But FE also has a traveling selection, which varies from city to city, and we do show Turkish films in each edition. For example, the 2014 National Competition Golden Tulip winner I’m Not Him is going to be shown at the traveling festival in Urfa, Diyarbakir, and Trabzon, because the film won’t be released in those cities, but we won’t show it in Istanbul, Ankara, or Izmir because they’ve all scheduled it for release.

JC – So it sounds like you’re very careful on the matter of film distribution. Could you say more about the role of festivals as they relate to that?

… film festivals are becoming an alternative distribution channel for film

AT – When we started to take the festival on tour it was a collaboration between Sarajevo Film Festival, Sofia Film Festival, Transylvania Film Festival, and ourselves, and we still continue this collaboration. We generally go to cities where there’s a big university and a young audience and our goal is to promote these films. We hold screenings in real movie theaters, not alternative venues, and we project digital, with good subtitles, so the quality is quite high. The project has been very successful and our audience has been increasing steadily each year. We have a very loyal audience, and it’s kind of proved that film festivals are becoming an alternative distribution channel for film. On the other hand, this highlights a problem with the current distribution system as well, because during the normal public releases this audience kind of gets lost.

JC – That’s an interesting point about alternative distribution models. Do you coordinate with Başka Sinema (Another Cinema – a new distribution model in Turkey for independent and arthouse cinema)?

AT – Yes, we coordinate with them on a number of fronts. We’re all from a generation who grew up with IFF, and it had a big impact on all of our lives. What they are creating is quite parallel to the legacy of IFF in many senses—their special sections and theme nights, for example. In the case of FE, nearly 90% of the films there have a Turkish distributor, and in many cases that is Başka Sinema. In order to defend and sustain independent cinema, we have to collaborate with other parties, otherwise we wouldn’t stand a chance.

The Karaca Cinema in Izmir is a good example. It’s in the city center and the owner decided to shut it down. But FE had been holding the festival there for the last four years and we had seen the potential of bringing quality films to that place—in fact, there was a huge demand from Izmir. So we suggested that they collaborate with Başka Sinema and now they’ve got an agreement for the small screen there. We still use the cinema for the festival and now we also promote Başka Sinema with commercials throughout the festival. So far it’s a collaboration that’s helping a cinema to survive.

AZIZE TANJC – This highlights another aspect of the role of festivals—their effects on the local economy.

AT – Yes, when you have a successful festival you can have a major effect. IFF lasts 16 days and includes three weekends, FE is 10 days, and many cinemas that we collaborate with, especially the smaller ones in Beyoğlu, rely heavily on this income to make it through the year. And it’s not only the cinemas that benefit. The face of Istiklal Street changes during the festivals. Different people come here and even the shop owners on the street ask us ‘why don’t you organize a festival every month?’ Our audiences come, they sit, they eat, they spend money. They buy books—well, there are no more book stores left on Istiklal, that’s another story—but I mean we create an economy.

JC – Last year we corresponded when IFF chose to screen Nymphomaniac (Lars von Trier) after it was banned by the ratings commission. There were concerns about censorship hitting the festivals in a new way at that point because Cinema Directorate (a subsidiary of the Ministry of Culture and Tourism) head Cem Erkul had written to festival organizers saying that all films would have to go through the ratings procedure, which would mark a major shift in the way festivals worked. Did IFF face any fallout from the choice to show Nymphomaniac or local films without a certificate?

AT – The system has to be completely redefined, and instead of a certificate, the existing rating system should be put in effect. The cinema law drafted three years ago will, I believe, help regulate the system and alleviate certain problems, as soon as it is ratified.

JC – 2014 is, by some accounts, the 100th anniversary of Turkish cinema. What do you see as the brightest spots and biggest challenges as cinema moves forward?

Before MP3 downloads, concerts were not so big. But now with the downloads it’s like albums are dead and the big thing is the concert. I think we are witnessing a similar thing with the film festivals. Now festivals are becoming the big event.

AT – You know we’ve been lucky in the sense that our films did pretty well at the festivals. Winning the Golden Palm (Nuri Bilge Ceylan’s Kış Uykusu – Winter Sleep at Cannes) after 34 years was a big success in itself. And then we had Song of My Mother (Erol Mintaş – Kurdish and Turkish titles: Klama dayîka min / Annemin Şarkısı) which won the Sarajevo film festival. And then Sivas (Kaan Müjdeci) at Venice, being a first film selected to the main competition. So in that sense it went pretty well.

On the other hand I think we still have a lot to do for Turkish cinema. For example, the main problem is that we’ve been waiting three years for this new cinema law to pass. It’s ready, it’s waiting at parliament, so I think the most urgent thing to do is to pass it. There are new regulations, the system is changing, the industry is changing, and we definitely need a new law.

At the same time, the festivals and general distribution will have to redefine themselves. In a way it’s like the music industry. Before MP3 downloads, concerts were not so big. But now with the downloads it’s like albums are dead and the big thing is the concert. I think we are witnessing a similar thing with the film festivals. Now festivals are becoming the big event. So you can come together, see the films together, talk about the films, see the directors, ask them questions, and it’s become something popular. But then we have to redefine regular release in some way.

poster_50x70_kopru-01We have to sit down and think about what we are doing and having a film institution at the center of it all would be very useful. I mean everybody is trying to work for the promotion of Turkish cinema, like the festivals, the producers’ association, but I think we need a center to organize all these efforts. Otherwise there are too many people working on the same things and there is no continuity.

JC – Something apart from the Cinema Directorate?

AT – I mean a structure similar to the establishments in Europe. Someplace to organize everything. The Ministry of Culture is working with different parties for different tasks, but since there is no continuity there is often no follow-up. This year they did good things—Venice proved to b a wonderful opportunity to make our presence felt celebrating the 100th anniversary of Turkish cinema, and we did something big at Cannes, with the stands and everything—but I think for the upcoming years we have to improve. However, these and similar efforts need to be expanded into the whole year. International bonds, once built, must be sustained. The international presence and representation of Turkey must be continuous. A new cinema law, and a film institution to provide continuity are the most urgent, and then we must tackle the problem of distribution with regards to changing windows, like everywhere else.

JC – And what is the primary problem of distribution?

… we know that 60% of the Turkish box office comes from Turkish films, but it’s only five films that make this number. What happens to the other 65 films?

AT – I mean we are talking about successful Turkish cinema. We’ve got about 70 films produced per year, but we don’t know how many of them are going to be released. Or, for example, we know that 60% of the Turkish box office comes from Turkish films, but it’s only five films that make this number. What happens to the other 65 films? We have to talk more about that. We should have a quota for the distribution of Turkish films. And maybe there are too many films being produced in Turkey, that’s something that we have to discuss as well. It’s not only a problem for Turkey either. It’s all of Europe, with the existing funding system. In fact there are 700 films being produced in Europe per year. Is there an audience for so many films? Apparently not.

Maybe the focus should be to produce less films, but make them more appealing to the audience in a way. I think for the whole world, not just for Turkey, I think to reach and connect with potential audiences is the first priority.

This piece published simultaneously on EndTimesCafe.

5 Yorumsuz – 5 Without Comment – 2015-03-09

1 – Bianet – has released a summary report on the state of journalism in Turkey over the last three years.

The polarization of media and intolerance to different opinions in Turkey soared in the year of 2014 with the incidents of Local Elections on March 30, Presidential Elections on August 10, the resolution process with Kurds and operations against Fethullah Gülen Movement. What the polarizations meant was to choosing between self-censorship or layoffs for journalists, and violation to right to information for readers. The Justice and Development Party (AKP) government prioritized in 2014 its “security-oriented” policies to state of law and basic rights and freedoms despite all criticism.

2 – Today’s Zaman, Radikal, and Zaytung (a satirical news site) – follow the ongoing interest in the Kabataş attack story from Gezi Park

Amid growing debate regarding a fabricated incident of harassment against a woman with a headscarf in Istanbul’s Kabataş neighborhood that apparently never took place, 14 columnists from five pro-government newspapers ran the same headline for their Thursday columns to back the government’s narrative without including any evidence but instead recounting the history of discrimination against the headscarf. During the Gezi Park protests that erupted during the summer of 2013, pro-government journalists reported that a headscarved woman named Zehra Develioğlu was attacked by Gezi protesters on a street in Kabataş on June 1. Although a large part of society was galvanized to turn against the Gezi protesters due to the incident — especially after President Recep Tayyip Erdoğan, who was prime minister at the time, said dozens of half-naked men had attacked the young woman and even urinated on her — footage from nearby security cameras discovered months later showed no evidence that such an attack had even taken place.

3 – Evrensel – notes that On the 4th of March, HDP co-president Selahattin Demirtaş was scheduled to appear on the Cüneyt Özdemir’s 5N1K program on Kanal D at 11:15pm, but the show was rescheduled at the last minute until 1:00am and didn’t actually air until 1:45am. Critics took to Twitter to suggest this was due to the AKP government’s intervention.

4 – Hürriyet Daily News and AlJazeera Turk

A court has ordered President Recep Tayyip Erdoğan to pay 10,000 Turkish Liras to the artist responsible for a sculpture in the northeastern province of Kars, which he had demanded the removal of and described as a “freak.” During a Jan. 8, 2011 visit to Kars, then Prime Minister Erdoğan slammed the city’s new 35-meter-tall “Monument to Humanity,” created by sculptor Mehmet Aksoy. An Istanbul court ruled on March 3 for Erdoğan to pay 10,000 liras in moral indemnities to Aksoy, partially accepting the 100,000 liras case Aksoy had filed against Erdoğan.

5 – Medyafaresi – reports that the Turkish dizi (TV series) Son (meaning “the end”), by production firm Ay Yapım, will become the first drama format from Turkey adapted for US television when shooting starts on 27 March in Chicago. The US version of the series will be called Runner.

5 Yorumsuz – 5 Without Comment – 2015-03-02

1 – Hürriyet Daily News (and Radikal)

Weeks after President Recep Tayyip Erdoğan’s “16 Turkish warriors” hit international headlines, several candidates have launched Ottoman-themed campaigns to be nominated for the ruling Justice and Development Party (AKP) in the upcoming parliamentary elections.

2 – Today’s Zaman

US-based watchdog Freedom House has criticized Turkey’s controversial security package, which grants extensive powers to police officers and provincial governors, saying that the passing of the bill in Parliament is a move to undermine democracy in Turkey. Freedom House, which describes itself as “an independent watchdog organization dedicated to the expansion of freedom around the world,” responded to the passage of the first 10 articles, issuing a statement late Monday. The director of Freedom House’s Eurasia programs, Susan Corke, said, “It is no exaggeration to say that the future of Turkish democracy hangs in the balance with this law.”

3 – Hürriyet Daily News

Model and former Miss Turkey Merve Büyüksaraç is facing up to two years in prison for social media posts that prosecutors claim “insult” President Recep Tayyip Erdoğan. The indictment has been completed as a part of an investigation into Büyüksaraç’s post, in which the prosecutor Umut Tepe demanded that she be sentenced to one to two years in prison. The Criminal Court of First Instance in Istanbul will now decide whether to initiate proceedings. Büyüksaraç, an industrial designer and writer who was crowned Miss Turkey in 2006, was briefly detained and questioned on Jan. 14 for sharing a satirical poem on her Instagram account.

4 – Today’s Zaman

Auditors from the Finance Ministry carried out a raid at the Gezici Research Company’s office in Istanbul following a poll the company released showing votes for the ruling Justice and Development Party (AK Party) decreasing below 40 percent. According to the Cihan news agency, auditors went to the Gezici office in Istanbul’s Beşiktaş district to examine the company’s tax documents on Tuesday morning. The auditors checked up on details regarding the company’s address, number of employees and the administrative structure of the company, then left the office after taking notes.

5 – Gerçek Gündem – Fidel Okan, who once served as lawyer for Star Gazetesi journalist Elif Çakır, gives his version of how the Kabataş story became so exaggerated. Cakır has faced renewed criticism for promoting a story during the Gezi Park protests of 2013 that Zehra Develioğlu, who wears a headscarf, was attacked by a group of protestors. Then Prime Minister, Tayyip Erdoğan, picked up on the story and repeated it frequently to demonize the protestors, but there is little evidence that the event actually took place. According to Okan, some protestors exchanged words with the woman and she was upset by this, as well as by the fact that her husband was late to pick her up. She exaggerated her account when he finally arrived to get her and he, in turn, exaggerated it when recounting it to his father, who happened to be an AKP-affiliated leader of a local municipality. This official, in turn, exaggerated the story once again and it was increasingly exaggerated as it moved up the AKP chain of command, to the point that it became a group of 70, half-naked, leather-clad assailants who overturned a baby stroller and urinated on the woman. Okan says that Erdoğan probably believed the story the whole time.